Archive for March, 2009

What’s New? Same Pastel Ground

Thursday, March 26th, 2009

Here is a painting that has literally been brewing in my head for almost two decades.

Monestary at Meteora

This is a monestary in Meteora, Greece. There are several of these monestaries that were built hundreds of years ago on top of these pinacles of rock. This is truly a place to get away from things. In some of them, people and supplies were pulled up the steep incline in baskets. I was fascinated by the image of trying to build one of these!

I finally decided to try my new painting surface for this painting. I used the same pastel ground since I had some leftover: 1 c. gesso, 3/4 c fine pumice, 1/4 c. water  and some acrylic paint to make it a light gray. I covered both sides of a 16 x 20 in. acid free mat board with straight gesso and one side with this ground. However, this time I used a brush to intentionally leave brush marks. I wanted these marks to help with the striations and shapes in the rocks. I tried to leave the sky area smooth. I used watercolor for an underpainting and then soft pastel on top.

This is a high key painting to try and convey the clear skies and intense summer heat in Greece. I liked the effect of the brush strokes in the rocks.

Right now I am working on a painting of our trip to Ireland. This one is on Wallis paper, a sand paper. I have also just finished a couple of miniature landscape pastel paintings that are only 2 x 3 in. It takes longer than you would think to paint such a small surface.

Until next time,
Sue Flanagan

What’s New? More on pastel grounds

Thursday, March 5th, 2009

Misty Morning on Apple Canyon Lake

This pastel painting is called “Misty Morning on Apple Canyon Lake.” I woke up early one morning when I was on a retreat in northwest Illinois. I stood on the dock and took this photograph. The beauty and quiet have stayed with me. This is the second painting I have done of this scene but the first on a homemade support. This time I did not use a commercial acrylic ground.

I took an acid free matboard and applied a ground with a roller. The recipe for the ground was published by Richard McKinley in the August 2006 Pastel Journal. I used the Simple Grit Mixture No. 1: 1 cup acrylic gesso, 3/4 cup fine pumice powder or marble dust, and 1/4 cup water. This time I was careful to accurately measure all of the ingredients.  I also mixed in a variety of acrylic paints to make the ground a light gray tone.

I applied this mixture to one side of the matboard and straight gesso to the other side so that the board would not warp. Even so, the board tends to warp a little. If this bothers you, compress the support under something heavy for awhile or use a heavier board.

Then I did a water color painting. After that dried, I applied the soft pastel on top. I liked this surface so I used it again to make this painting, “Misty Winter Morning.” I guess I am into mist right now.

Misty Winter Morning

After the ground was dry, I lightly sketched in the big shapes. For the foreground hill, I applied extra texture with rice paper and light acrylic modeling paste. When this was thouroughly dry, I again, did a water color painting with pastel on top of it. I still feel this is a pastel painting because that is the pigment you see. What difference does it make if I use pumice, paper or paste for texture underneath? Next time, I will try the next formula for making a ground with acrylic gel medium instead of gesso.

This month I am showing 15 paintings at Essential Chiropractic and Health Center, 7229 W. 103rd St. Palos Hills, IL. 60465.  Dr. Rory McKenna is the owner. There will be a reception at 7 p.m., Thursday, March 26, 09. Please come and bring 5 nonperishable food items for the local food pantry.

Hope to see you there,
Sue Flanagan